Apr 27, 2025 11:42 AM IST
Ryan Coogler’s Sinners is breaking the bank, minting over $120 million at the box office in just over a week.
Ryan Coogler’s new film, Sinners, has taken the box office by storm. The R-rated horror film has minted over $100 million worldwide in just over a week and is still going strong. The film has firmly solidified Coogler’s position as one of Hollywood’s foremost new-age black filmmakers. But more than the box office receipts, what has earned Hollywood’s attention is Coogler’s unusual deal for the film with the studio, which has set him up for life. (Also read: Is Sinners based on a true story? How the movie is dominating the box office)
How Ryan Coogler’s Sinners broke the bank
Starring Michael B Jordan, Hailee Steinfeld, and Miles Caton, Sinners is a horror film that blends racial segregation in Jim Crow America with elements of vampire lore. The film, made on a modest budget of $90 million, has grossed $121 million worldwide in eight days. Its most significant achievement is sustaining itself via word of mouth. The film earned $48 million in its first weekend and is now set to mint $42 million in the second, an unheard-of 12% drop. This figure can be in excess of 40-50% for most major studio films. But Sinners is soldiering on, and looks set to become one of the highest-grossing horror films by the time it ends its run.
Ryan Coogler’s genius deal with Warner Bros
Warner Bros has produced and distributed Sinners, but the studio agreed to an unusual request from Coogler. The rights for the film – its full ownership – will revert from the studio to Coogler after 25 years (in 2050). The director told Business Insider that he fought for the film’s rights as his family history inspires the story. There is some element of truth to the track about two black siblings opening a juke joint in the South in the 30s. This meant that not only did Coogler have full creative control of the film, but he also stands to benefit from the film’s royalties and legacy earnings 25 years from now. The move has been called genius by many trade pundits.
This also marks an incredible turnaround for Coogler, who was grappling with debt just a decade ago. On a recent episode of WTF with Marc Maron podcast, Coogler recounted his life before the release of his debut film, Creed, in 2015. “Back then, bro, I wasn’t making no money. I was $200,000 in debt for film school. It was bad,” he said, adding, “I was trying to write [movies] in Microsoft Word. It’s impossible because your format gotta be right. I was broke, playing football on the little scholarship money. And my wife scraped together some cheese and bought me Final Draft, which is the software that you write your movies on.”
How this deal could change Hollywood
Till now, filmmakers would only earn a portion of their films’ earnings as the studios own the rights. Even creators of extremely successful franchises like George Lucas, James Cameron, and Steven Spielberg do not have full ownership over their IPs. But Coogler has managed that. This opens the doors for more Hollywood filmmakers negotiating similar deals, and potentially setting themselves up for life.
