Very quickly in 2022 after changing into the youngest ever winner of the Van Cliburn piano competitors in Fort Price, Texas on the age of 18, phrase received round that the South Korean Yunchan Lim was one thing particular. His London debut on the Wigmore Corridor the next yr, in a programme that averted the excessive romantic repertoire that had so impressed the Cliburn judges, confirmed that this was a prodigiously gifted, immensely thrilling pianist, and one who nonetheless had room to mature and develop additional as an artist.
Lim’s first disc for Decca greater than reinforces these first impressions. These are thrilling performances of Chopin’s research, the method dazzlingly immaculate and the musical impulses propelling it usually startlingly unique. There are nonetheless moments when youthful impetuosity leads him to misjudge issues or rush them only a bit an excessive amount of, however these are few and much between, and it’s significantly better to benefit from the brilliance of Lim’s taking part in, whether or not within the breathtaking evenness of the A minor examine Op 10 no 2, the sheer delicacy of Op 25 no 6 in G sharp minor, or within the contemporary particulars he constantly reveals, particularly within the left hand.
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