Of all of the ­musicians who’ve lived, labored or carried out there, none has a stronger reference to Camden City than Amy Winehouse. However the launch of the Winehouse biopic, Again to Black, is a helpful reminder of each the ­fragility of cultural moments and the way Camden has been strong sufficient to outlive a sequence of them, remaining a fascinating location for musicians and followers by way of a number of generations, going all the way in which again to the ­opening of the Roundhouse as a live performance venue in 1966.

Normally, the second a London borough proclaims itself as trendy, it’s throughout. Home costs rocket, all however essentially the most profitable artists are priced out, new residents begin complaining concerning the late-night noise and younger musicians transfer on. Camden has averted that for many years, the world taking part in a central function within the improvement of psychedelic rock, ska, Britpop and no matter we’re going to name Winehouse and Pete Doherty’s revivalist sound of the early 2000s. All through this time, it has remained largely unchanged, the borough’s superficially scuzzy ­floor holding builders at bay whereas performing as catnip to anybody searching for after-hours journey.

The Libertines onstage on the Barfly in Camden in 2003. {Photograph}: Avalon/Getty Pictures

Ask me to call the place I’ve seen the very best variety of nice gigs, and there’s one reply. Whether or not it’s early exhibits from The Weeknd and Odd Future on the Electrical Ballroom; Donny McCaslin’s post-Blackstar efficiency on the Jazz Cafe; Royal Trux of their 90s heyday at Dingwalls; or any variety of Prince performances, by way of the years Camden has been a house for nearly each style of music. And though I didn’t see Winehouse play there, I did encounter her out ingesting, and whereas he’s not a determine many are keen on now, it’d be churlish to ­faux exhibits Doherty performed with the Libertines and Babyshambles weren’t thrilling on the time.

Like a preloved classic band T-shirt, the enchantment of Camden for Winehouse and the scene surrounding her was its connection to musical historical past. Being there then. The combo of jazz, hip-hop and rock in her music meant she was equally at dwelling on the Jazz Cafe as within the Roundhouse. Within the biopic, she’s depicted ingesting and taking part in pool within the Good Mixer and performing on the Dublin Fort. For the ­uninitiated, these areas might sound random London boozers, however viewers with a information of Camden historical past will know they’ve been chosen due to their ­affiliation with earlier Camden scenes. Winehouse described Camden as her “playground”; for her it was a jukebox delivered to life.

Avenue life in Nineteen Nineties Camden. {Photograph}: Patrick Barth/Shutterstock

The Good Mixer is most well-known for being the watering gap of alternative for younger musicians through the mid-90s when the time period “Britpop” stopped simply being a cute method for journal editors to hyperlink rising British bands and have become an internationally recognised phenomenon.

Some have urged that the significance of the Good Mixer has been oversold, with Jane Savidge, head of the PR firm that represented lots of the finest Britpop bands, writing in a memoir that the primary cause it popped up in print a lot was as a result of it was the venue of alternative for interviews together with her artists. This can be true, however there’s no underselling Camden’s connection to Britpop: Blur’s label Meals Information was additionally close by and Graham Coxon and Jarvis Cocker frequented Blow-Up, a well-liked indie night time at a homosexual pub referred to as the Laurel Tree (musicians from this venue additionally ­characteristic within the Winehouse movie).

The Dublin Fort is as a lot related to ska as Winehouse, the pub finest remembered for launching Insanity when – as an unsigned band – they performed a weekly residency in 1979, attracting an viewers who dressed as they did, and, ultimately, getting them a cope with Stiff Information. So necessary was the venue to the band’s profession that they ­efficiently petitioned for a Music Heritage plaque to commemorate their previous there.

However Winehouse wasn’t only a vacationer and performed her half in making a Camden scene of her personal. Far more than the Good Mixer or the Dublin Fort, the venue most strongly related to the Amy Winehouse story is the Hawley Arms. And whereas bars can oversell their connections with well-known folks, this actually was her native and one thing of a clubhouse for different acts of the time, attracting musicians similar to Doherty and comedians Julian Barratt and Noel Fielding of The Mighty Boosh – who again then have been the most recent try and promote comedy as the brand new rock’n’roll, taking part in venues extra often related to large rock acts, such because the Brixton Academy.

The primary time I went to the Hawley Arms, it struck me as an ­common, overcrowded London bar. However Winehouse was there as marketed, tiny and tattooed, enjoyable with associates and left alone by any punters she didn’t know personally. And that’s Camden, or was Camden then at the very least: what’s made it distinctive through the years is that the celebrities ingesting there aren’t hidden away in members’ golf equipment as they’re in Soho, however as an alternative carousing alongside their followers. In fact, there are questions concerning the knowledge of this, given how a lot paparazzi would come to stress Winehouse and her pal Doherty, significantly through the years he dated Kate Moss.

Koko in Camden, the place Prince lined Amy Winehouse songs. {Photograph}: Michelle Grant/Rex

A lot of the scenes I’ve talked about are very British, however the space has additionally all the time been equally standard with American acts, lots of whom made their stay UK debut right here. Although the Roundhouse was mooted as the most effective place to erect a statue of Winehouse (it ended up in close by Stables Market as an alternative), the venue is best identified for being the place British audiences first encountered the Doorways – at a well-known present in 1968 – and the Ramones, who performed their first London gig there in 1976, a seminal second in punk historical past.

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It’s no shock that when Prince determined to open a store in London in 1994, he selected Camden reasonably than someplace extra central. If his followers have been coming to Camden Market searching for bootleg recordings of his music, it made sense for him to arrange close by and direct his followers to official releases. Possibly it was the Camden connection that may immediate him to pay such shut consideration to Winehouse’s music, protecting her songs whereas taking part in at Camden venue Koko and ultimately persuading her right into a automobile to return and carry out with him throughout his 21 Nights in London run.

And when he returned in 2014 to play a sequence of “Hit and Run” gigs introduced at a second’s discover, the lion’s share of them have been in Camden. He wanted someplace the place he may play effectively into the early morning with out disturbing residents, the place his followers may queue up exterior all day lengthy with out drawing undue consideration. And as Camden streets are all the time filled with music followers anyway, this was the plain alternative.

Can this proceed? Not like most areas of London, Camden nonetheless has lots of its larger venues, however the smaller ones are vanishing and it should be cautious to not develop into only a rock’n’roll theme park. A current report urged Camden’s place within the UK cultural panorama is beneath menace because the grassroots music ­venues – usually the place essentially the most thrilling stuff occurs – shut and there’s nowhere for the subsequent Amy Winehouse to get her begin.

These death-knell noise complaints are beginning to are available, with civic teams extra involved with high quality of every day life than the night-time financial system. The Roundhouse is not a location for all-night raves, and searching on the invoice now could make you are feeling such as you’ve travelled again in time, with most exhibits that includes acts and genres celebrating 20-, 30-, even 50-year anniversaries. If the world’s enchantment is to not be misplaced, it wants to stay someplace musicians be happy to invent the longer term as a lot as celebrating the previous.

An up to date version of Prince by Matt Thorne will likely be revealed by Faber on 18 July.

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