Does Sanjay Leela Bhansali Actually Throw Phones On Set? Sonakshi Sinha Reveals The Truth

Picture was shared on Instagram. (Picture courtesy: aslisona)

There isn’t any doubt that Sanjay Leela Bhansali is without doubt one of the most celebrated administrators within the nation. A Sanjay Leela Bhansali venture is sort of a style unto itself – opulent units, decadent costumes, and complicated scenes are a staple in his movies. A number of actors, through the years, have additionally spoken about how Sanjay Leela Bhansali is a tough taskmaster. Now, as his debut OTT venture Heeramandi: The Diamond Bazaar is making headlines, studies of the director’s erratic on-set behaviour are additionally doing the rounds, with rumours of Sanjay Leela Bhansali throwing telephones when indignant gaining traction. Sonakshi Sinha, who performs the function of Fareedan within the collection has addressed the rumours. Talking to India In the present day, Sonakshi Sinha stated: “Absolute rumours! However sure, he’s a taskmaster, I will not deny that. However he deserves each little bit of it as a result of see the form of work and magic that he creates, proper? And if anyone does mess along with his imaginative and prescient, I feel it is his proper to ensure the work will get executed. I actually loved working with him, and he is somebody who actually appreciates expertise, so he was very proud of me. I additionally did hear these rumours earlier than I went to work with him, however I used to be very, very blissful to work with him on set. He may be actually nurturing when he sees that an actor is delivering precisely what his imaginative and prescient is, so, I am blessed that I acquired to see that facet of him.”

Different Heeramandi stars have additionally spoken about Sanjay Leela Bhansali in excessive regard, whereas addressing his distinctive working model. For example, Aditi Rao Hydari, in a current chat with Rediff.com, stated that stored her hungry for a scene. The actress stated, “Someday, Sanjay sir stored me hungry as a result of I needed to do a scene which was full of fireside. He stated, ‘Aaj khana mat khana [Don’t eat today]’, and that helped me get that simmering sense of injustice.” Nevertheless, she added that he additionally provided her superb meals at his place.  “In between the lockdowns, I went to fulfill him (Sanjay Leela Bhansali) as a result of I used to be lacking him. The very first thing he stated was, ‘Kitni patli ho gayi hai, khaana khao!‘ So he fed me.”

Equally, Taha Shah Badussha who performed the function of Tajdar Baloch within the collection, advised The Free Press Journal: “I used to be eternally grateful once I first stepped into the units. I used to be mesmerised by the dimensions and the magnitude that SLB had created. I’ve by no means been on a set like this. To see it in actual and to be part of it’s not lower than a blessing. I used to be advised to shoot for 45-50 days however I used to be on the units for 110 days. I used to be nervous however excited when my scenes did begin. I had a bunch of feelings sprouting on the similar second. It wasn’t tough to behave since I’ve the schooling behind. I do perceive filmmakers and their making. The best way SLB directs may be very distinctive. His imaginative and prescient is bigger than life. I might have been blissful if it could have been a one-day job in his venture since so many actors die to work with him.”

It might be famous that in 2021, throughout an interplay with PTI, Ranbir Kapoor had opened up about how Sanjay Leela Bhansali would “abuse” his group. “After I assisted Mr (Sanjay Leela) Bhansali (on ‘Black’), he used to essentially deal with me as an assistant director. I was kneeling down for hours, he used to hit us, he used to abuse us… that solely hardens you and prepares you for the world,” The Quint quoted him as having stated. Ranbir Kapoor made his performing debut with Sanjay Leela Bhansali’s Saawariya. Ranbir Kapoor will collaborate with the director for the upcoming movie Love & Warfare, together with Alia Bhatt and Vicky Kaushal.



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