Natasha Poonawalla at Met Gala 2024. (Picture courtesy: AFP)
New Delhi:
Natasha Poonawalla is understood for her daring style decisions and her look on the Met Gala 2024 was no exception. She opted for a customized ensemble from Maison Margiela’s Artisanal Assortment, curated by designer John Galliano. The putting ensemble comprised a sculpted white strapless bodycon gown adorned with delicate black torn chiffon detailing. Finishing the look was a whimsical puffy white beret adorned with matching black sheer chiffon layers. Natasha Poonawalla elevated her ensemble with towering platform heels by Christian Louboutin and assertion pearl studs.
For her make-up, she opted for glittery gray eyeshadow and vibrant pink lipstick. Her ensemble was complemented by a coordinating white bag that includes the identical intricate black chiffon layering. Her outfit resembling an outdated, spider web-covered outfit, paid homage to the theme of this yr’s occasion, “Sleeping Beauties: Reawakening Vogue.”
ICYDK: This is not Natasha Poonawalla’s first nod to the gala’s theme. Beforehand, she wore an outfit from Victor and Rolf’s fall/winter 2018 assortment. This specific look provided a literal reinterpretation of Sleeping Magnificence, that includes a white silk quilted coat and a pillow instead of the collar. Poonawalla’s hair, styled by Eugene Souleiman, sported a vibrant orange hue harking back to waking up from a deep sleep. The ensemble included a tulle overlay adorned with embroidered dry flower petals, completely aligning with the occasion’s gown code, “Backyard of Time.”
For the unversed, the Met Gala takes place yearly in New York Metropolis, particularly on the Metropolitan Museum of Artwork. It begins with the revealing of the Costume Institute exhibition, adopted by a gala dinner and a style showcase. Becoming a member of Anna Wintour as co-chairs this yr are Zendaya, Jennifer Lopez, Dangerous Bunny, and Chris Hemsworth, following the footsteps of the 2023 hosts: Dua Lipa, Penelope Cruz, Roger Federer, and Michaela Coel.
